Elliott Capos Elite Guitar Capo 16" Radius G34E #Elliott Elite 16 G34E
Serial: Elliott Elite 16 G34E
$225.00
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Pale golden spruce, richly streaked Camatillo, and the graceful geometry of Charles Rennie Mackintosh inspired ornamentation give this 2025 Rebecca Urlacher Small Concert an unmistakable presence. Its flowing silhouette draws the eye from the sculpted bridge to the dramatic point of the Florentine cutaway, while delicate inlay work rewards a closer look. Here, the natural beauty of the materials and the imagination of their maker feel perfectly in conversation.
Working in Bend, Oregon, Rebecca Urlacher brings an artist’s understanding of proportion, texture, and composition to the guitar. Her background includes fine arts studies at the University of Oregon and an enduring interest in drawing, painting, and ceramics. She began her first guitar in 2002, approaching the project without previous woodworking or musical experience, and strung it up a year later. That curiosity developed into a vocation, with Rebecca building only a small handful of instruments each year and giving each one the attention that such intimate production allows.
Although Rebecca describes herself as self taught, her development has been enriched by meaningful relationships within the lutherie community. Classical builder Anders Sterner has been especially influential in shaping her approach to sound, while time spent in Ervin Somogyi’s workshop deepened her understanding of responsive construction. She also credits the artistry of Leo Buendia and the example and generosity of Kathy Wingert among her inspirations. Those influences provide a foundation for a distinctly personal body of work, where musical sensitivity and thoughtful design receive equal consideration.
The Camatillo back and sides are a particularly captivating choice. A true rosewood known botanically as Dalbergia congestiflora, Camatillo is prized for its striking figure and resonant tap tone, which has drawn comparisons with fine Brazilian rosewood. On this guitar, warm reddish brown hues mingle with dark, ink like grain lines, while a slender flare of pale sapwood rises through the lower portion of the back. The effect is wonderfully organic, with the gloss finish lending depth to every line and shift of color.
German spruce provides a luminous visual companion and an enticing musical complement. European spruce is valued for harmonic complexity, fullness under a light touch, and the potential for quick response with generous headroom. Paired with Camatillo, those qualities suggest a voice with both definition and richness, an appealing foundation for fingerstyle arrangements in which melody, inner voices, and bass each deserve their own space. The fine grain and soft golden glow of this soundboard also create a beautifully restrained backdrop for the guitar’s darker appointments.
The Mackintosh theme gives the instrument a coherent artistic identity. Across the rosewood rosette, Camatillo headstock veneer, and 12th fret inlay, slender pale lines intersect with carefully placed squares and rectangles. The rosette’s asymmetrical arrangement is especially lovely, balancing open space with intricate detail. At the headstock, elongated vertical lines frame three pale squares, echoing the fretboard ornamentation. Bois de Rose unites the fingerboard, sculpted bridge, bindings, and comfort bevel, allowing the decorative elements to feel like parts of one complete composition.
The playing dimensions are equally considered. A Honduran mahogany neck meets the body at the 14th fret, while the Florentine cutaway opens access to the upper register. The 25 inch scale, 1 25/32 inch nut width, 16 inch fingerboard radius, and 2 9/32 inch bridge spacing provide generous room for articulate fretting and picking. The comfort bevel softens contact beneath the picking arm, and a Mark Blanchard dual action truss rod provides neck adjustment. Black chrome Gotoh 510 tuning machines with rosewood buttons complete the headstock with a handsome combination of precision hardware and natural texture.
Weighing 4 pounds, 7 ounces, this Small Concert is accompanied by a custom Calton flight case. Although previously owned, it remains in nearly unplayed condition, with no structural or physical flaws and almost no fret wear. It has been kept in a professional recording studio environment and presents an exceptional opportunity to experience Rebecca Urlacher’s work in beautifully preserved condition. Every curve, grain line, and geometric detail invites time and attention, just as a thoughtfully made instrument should.
Other specifications include:
- German Spruce Top
- Camatillo Back & Sides
- Honduran Mahogany Neck
- Bois de Rose Fingerboard & Bridge
- Bois de Rose Bindings & Comfort Bevel
- Rosewood Rosette with Charles Rennie Mackintosh Theme
- Camatillo Veneer with Charles Rennie Mackintosh Theme
- 12th Fret Charles Rennie Mackintosh Theme Inlay
- Black Chrome Gotoh 510 Tuning Machines with Rosewood Buttons
- Mark Blanchard Dual Action Truss Rod
- Florentine Cutaway
- 14 Fret Neck Joint
- 16" Fingerboard Radius
- 25" Scale Length
- 1 25/32" Nut Width
- 2 4.5/16" Bridge Spacing
- Gloss Body Finish
- Gloss Neck Finish
- Custom Calton Flight Case
- 4 lb 7 oz
- #SC3-64
For more information about this Rebecca Urlacher Guitar, please contact us.
- Manufacturer
- Rebecca Urlacher
- Body Style
- Concert
- Actual Weight
- 4.7
- Model
- Small Concert
- Condition
- Excellent
- Year
- 2025
- Body Style
- Cutaway
- Body Style
- 14 Fret
- Strings
- 6
- Pickup
- No
- Color
- Natural
Product Images
Downloads
SKU: SC3-64 CONSIGNMENT
Weight:
4 lbs
7 oz
2025 Rebecca Urlacher Small Concert - German Spruce & Camatillo #SC3-64
$14,500.00
- Condition:
- Used
Free Shipping inside lower 48 states
48 Hour Return Policy
Description
Pale golden spruce, richly streaked Camatillo, and the graceful geometry of Charles Rennie Mackintosh inspired ornamentation give this 2025 Rebecca Urlacher Small Concert an unmistakable presence. Its flowing silhouette draws the eye from the sculpted bridge to the dramatic point of the Florentine cutaway, while delicate inlay work rewards a closer look. Here, the natural beauty of the materials and the imagination of their maker feel perfectly in conversation.
Working in Bend, Oregon, Rebecca Urlacher brings an artist’s understanding of proportion, texture, and composition to the guitar. Her background includes fine arts studies at the University of Oregon and an enduring interest in drawing, painting, and ceramics. She began her first guitar in 2002, approaching the project without previous woodworking or musical experience, and strung it up a year later. That curiosity developed into a vocation, with Rebecca building only a small handful of instruments each year and giving each one the attention that such intimate production allows.
Although Rebecca describes herself as self taught, her development has been enriched by meaningful relationships within the lutherie community. Classical builder Anders Sterner has been especially influential in shaping her approach to sound, while time spent in Ervin Somogyi’s workshop deepened her understanding of responsive construction. She also credits the artistry of Leo Buendia and the example and generosity of Kathy Wingert among her inspirations. Those influences provide a foundation for a distinctly personal body of work, where musical sensitivity and thoughtful design receive equal consideration.
The Camatillo back and sides are a particularly captivating choice. A true rosewood known botanically as Dalbergia congestiflora, Camatillo is prized for its striking figure and resonant tap tone, which has drawn comparisons with fine Brazilian rosewood. On this guitar, warm reddish brown hues mingle with dark, ink like grain lines, while a slender flare of pale sapwood rises through the lower portion of the back. The effect is wonderfully organic, with the gloss finish lending depth to every line and shift of color.
German spruce provides a luminous visual companion and an enticing musical complement. European spruce is valued for harmonic complexity, fullness under a light touch, and the potential for quick response with generous headroom. Paired with Camatillo, those qualities suggest a voice with both definition and richness, an appealing foundation for fingerstyle arrangements in which melody, inner voices, and bass each deserve their own space. The fine grain and soft golden glow of this soundboard also create a beautifully restrained backdrop for the guitar’s darker appointments.
The Mackintosh theme gives the instrument a coherent artistic identity. Across the rosewood rosette, Camatillo headstock veneer, and 12th fret inlay, slender pale lines intersect with carefully placed squares and rectangles. The rosette’s asymmetrical arrangement is especially lovely, balancing open space with intricate detail. At the headstock, elongated vertical lines frame three pale squares, echoing the fretboard ornamentation. Bois de Rose unites the fingerboard, sculpted bridge, bindings, and comfort bevel, allowing the decorative elements to feel like parts of one complete composition.
The playing dimensions are equally considered. A Honduran mahogany neck meets the body at the 14th fret, while the Florentine cutaway opens access to the upper register. The 25 inch scale, 1 25/32 inch nut width, 16 inch fingerboard radius, and 2 9/32 inch bridge spacing provide generous room for articulate fretting and picking. The comfort bevel softens contact beneath the picking arm, and a Mark Blanchard dual action truss rod provides neck adjustment. Black chrome Gotoh 510 tuning machines with rosewood buttons complete the headstock with a handsome combination of precision hardware and natural texture.
Weighing 4 pounds, 7 ounces, this Small Concert is accompanied by a custom Calton flight case. Although previously owned, it remains in nearly unplayed condition, with no structural or physical flaws and almost no fret wear. It has been kept in a professional recording studio environment and presents an exceptional opportunity to experience Rebecca Urlacher’s work in beautifully preserved condition. Every curve, grain line, and geometric detail invites time and attention, just as a thoughtfully made instrument should.
Other specifications include:
- German Spruce Top
- Camatillo Back & Sides
- Honduran Mahogany Neck
- Bois de Rose Fingerboard & Bridge
- Bois de Rose Bindings & Comfort Bevel
- Rosewood Rosette with Charles Rennie Mackintosh Theme
- Camatillo Veneer with Charles Rennie Mackintosh Theme
- 12th Fret Charles Rennie Mackintosh Theme Inlay
- Black Chrome Gotoh 510 Tuning Machines with Rosewood Buttons
- Mark Blanchard Dual Action Truss Rod
- Florentine Cutaway
- 14 Fret Neck Joint
- 16" Fingerboard Radius
- 25" Scale Length
- 1 25/32" Nut Width
- 2 4.5/16" Bridge Spacing
- Gloss Body Finish
- Gloss Neck Finish
- Custom Calton Flight Case
- 4 lb 7 oz
- #SC3-64
For more information about this Rebecca Urlacher Guitar, please contact us.
- Manufacturer
- Rebecca Urlacher
- Body Style
- Concert
- Actual Weight
- 4.7
- Model
- Small Concert
- Condition
- Excellent
- Year
- 2025
- Body Style
- Cutaway
- Body Style
- 14 Fret
- Strings
- 6
- Pickup
- No
- Color
- Natural
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Product Images
Downloads
Contact Us About this Item
True Product Images
Yes, this is the actual guitar you’re looking at – not a generic stock photo! We take the time to individually photograph each and every guitar we sell so that you know exactly what you’re getting. From the grain of the wood to the unique finish and subtle character marks, what you see in the photo is the very guitar that will be shipped to your door. No surprises, no guesswork – just full transparency and confidence in your purchase.
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