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It started with an unexpected phone call one night a few years ago. The phone rings, I pick it up, and there’s the voice of Paul Reed Smith asking if I’m up for getting some dinner. I had no idea he was even in Germany! But of course, I said yes (Paul and I go way back – see the first post on this blog).

The surprises kept on coming. When I got to the airport and picked up Paul, he told me we just had to go round and collect Bernie. Bernie? Well, turns out he meant Bernie Marsden – they were doing a clinic tour together. So we swung by the terminal to pick Bernie up, and the three of us went out for dinner.

As you’d imagine, we ended up talking about all things guitar and music, and probably would have gone on into the wee hours, but Bernie was feeling a little under the weather (clinic tours are hard work!). Like most places, it can be tough here to get an appointment with a doctor at short notice, but I thought it was worth calling up my doctor and good friend, Karl. When I asked if he could squeeze in an extra appointment for a friend, he predictably told me it wasn’t possible – things were far too busy. But as well as being a great doctor, Karl is a lover of good music and all things rock ‘n’ roll. And a huge fan of PRS.

“You might want to wait to hear who my friends are before you say no, Karl…”

Once I’d told him Bernie Marsden and Paul Reed Smith were coming by, wouldn’t you know it, a slot opened up in his schedule. Thanks, Karl!

Anyway, with Bernie on the mend thanks to Dr. Karl, he and Paul continued on the clinic tour. We met up again during their stop in Aschaffenburg, and Paul sat with my son, Niko, for a long time, talking with him about progressing on guitar and what to focus on in his practice, which was a really nice moment.

It was fantastic getting to know Bernie, and we kept in touch. Not too long after the clinic tour, he called and asked if I was interested in making him a guitar. Naturally, I said yes! He even had some wood that he wanted me to use, and there was no need to ship it over – he was doing a gig at Guitar Point in Maintal, so he suggested meeting up there and he could bring the wood with him.

The show at Guitar Point was a lot of fun, not least because I got to get up on stage and join Bernie for a rendition of Crossroads, which was a privilege. After the gig was wrapped up, it was time to start talking about the guitar.

Bernie is very open and easy to discuss these sorts of things with. In fact, at first, he simply said “you know what I like”. It’s a pleasure to work with an artist with such a great attitude – it’s something we enjoy a lot here thanks to the fantastic artists on our roster – but there’s always a fair bit of fine-tuning and back-and-forth down the road with these things. After all, everything has to be perfect, and it can be tough to really nail down the particulars without a reference point. With that in mind, we sent Bernie an Orca ’59 (the closest of our models to his longstanding, go-to singlecut guitars) and from there started to get an idea of what to change and tweak, add and subtract.

The changes came together from there, including a new design for the heel joint, swapping to three knobs instead of four, and, naturally, the addition of Bernie’s signature Cream T pickups. Over time, the Bernie Marsden signature model started to come to life.

Of course, before all of this got underway, I called Paul to make sure he was happy for the project to go ahead, as Bernie’s previous signature guitar was with PRS. Paul has always been incredibly gracious and generous to me, and he was fully supportive of myself and Bernie working together.

This Special Limited run will consist of only 12 Flame Tops & 12 Gold Tops! Only 12 units built worldwide!

Other features include:

  • Master-grade Eastern flame maple top
  • Flame mahogany body w/ honeycomb routing
  • Madagascan rosewood neck
  • Madagascan rosewood fingerboard
  • Orca neck profile with custom heel joint
  • Eastern flame maple binding
  • Black pearl crown fingerboard inlays with sterling silver surrounds
  • Ebony headstock cap
  • Black pearl Bernie Marsden logo with sterling silver surround and signature headstock inlays
  • Faded sunburst semi-gloss finish
  • Cream T Bernie Buckers
  • Brushed cream pickup rings
  • Nik Huber 510 open gear tuners
  • Tune-o-matic bridge with aluminium tailpiece
  • Madagascan rosewood backplates with white snake inlay and carved snake, signed by Bernie Marsden
  • Certificate of authenticity signed by Nik and Bernie
  • 7 lbs 15 oz
  • #13789

 For more information on this Nik Huber instrument, please contact us.

Manufacturer
Nik Huber
Actual Weight
7.15
Series
Orca '59

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New
SKU: 13789
Weight: 7 lbs 15 oz

Nik Huber Orca Bernie Marsden LTD - Faded Sunburst #3 of 12

$16,945.00
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Description

It started with an unexpected phone call one night a few years ago. The phone rings, I pick it up, and there’s the voice of Paul Reed Smith asking if I’m up for getting some dinner. I had no idea he was even in Germany! But of course, I said yes (Paul and I go way back – see the first post on this blog).

The surprises kept on coming. When I got to the airport and picked up Paul, he told me we just had to go round and collect Bernie. Bernie? Well, turns out he meant Bernie Marsden – they were doing a clinic tour together. So we swung by the terminal to pick Bernie up, and the three of us went out for dinner.

As you’d imagine, we ended up talking about all things guitar and music, and probably would have gone on into the wee hours, but Bernie was feeling a little under the weather (clinic tours are hard work!). Like most places, it can be tough here to get an appointment with a doctor at short notice, but I thought it was worth calling up my doctor and good friend, Karl. When I asked if he could squeeze in an extra appointment for a friend, he predictably told me it wasn’t possible – things were far too busy. But as well as being a great doctor, Karl is a lover of good music and all things rock ‘n’ roll. And a huge fan of PRS.

“You might want to wait to hear who my friends are before you say no, Karl…”

Once I’d told him Bernie Marsden and Paul Reed Smith were coming by, wouldn’t you know it, a slot opened up in his schedule. Thanks, Karl!

Anyway, with Bernie on the mend thanks to Dr. Karl, he and Paul continued on the clinic tour. We met up again during their stop in Aschaffenburg, and Paul sat with my son, Niko, for a long time, talking with him about progressing on guitar and what to focus on in his practice, which was a really nice moment.

It was fantastic getting to know Bernie, and we kept in touch. Not too long after the clinic tour, he called and asked if I was interested in making him a guitar. Naturally, I said yes! He even had some wood that he wanted me to use, and there was no need to ship it over – he was doing a gig at Guitar Point in Maintal, so he suggested meeting up there and he could bring the wood with him.

The show at Guitar Point was a lot of fun, not least because I got to get up on stage and join Bernie for a rendition of Crossroads, which was a privilege. After the gig was wrapped up, it was time to start talking about the guitar.

Bernie is very open and easy to discuss these sorts of things with. In fact, at first, he simply said “you know what I like”. It’s a pleasure to work with an artist with such a great attitude – it’s something we enjoy a lot here thanks to the fantastic artists on our roster – but there’s always a fair bit of fine-tuning and back-and-forth down the road with these things. After all, everything has to be perfect, and it can be tough to really nail down the particulars without a reference point. With that in mind, we sent Bernie an Orca ’59 (the closest of our models to his longstanding, go-to singlecut guitars) and from there started to get an idea of what to change and tweak, add and subtract.

The changes came together from there, including a new design for the heel joint, swapping to three knobs instead of four, and, naturally, the addition of Bernie’s signature Cream T pickups. Over time, the Bernie Marsden signature model started to come to life.

Of course, before all of this got underway, I called Paul to make sure he was happy for the project to go ahead, as Bernie’s previous signature guitar was with PRS. Paul has always been incredibly gracious and generous to me, and he was fully supportive of myself and Bernie working together.

This Special Limited run will consist of only 12 Flame Tops & 12 Gold Tops! Only 12 units built worldwide!

Other features include:

  • Master-grade Eastern flame maple top
  • Flame mahogany body w/ honeycomb routing
  • Madagascan rosewood neck
  • Madagascan rosewood fingerboard
  • Orca neck profile with custom heel joint
  • Eastern flame maple binding
  • Black pearl crown fingerboard inlays with sterling silver surrounds
  • Ebony headstock cap
  • Black pearl Bernie Marsden logo with sterling silver surround and signature headstock inlays
  • Faded sunburst semi-gloss finish
  • Cream T Bernie Buckers
  • Brushed cream pickup rings
  • Nik Huber 510 open gear tuners
  • Tune-o-matic bridge with aluminium tailpiece
  • Madagascan rosewood backplates with white snake inlay and carved snake, signed by Bernie Marsden
  • Certificate of authenticity signed by Nik and Bernie
  • 7 lbs 15 oz
  • #13789

 For more information on this Nik Huber instrument, please contact us.

Manufacturer
Nik Huber
Actual Weight
7.15
Series
Orca '59

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Product Images

Downloads

Nik Huber Orca Bernie Marsden LTD - Faded Sunburst #3 of 12
Nik Huber Orca Bernie Marsden LTD - Faded Sunburst #3 of 12

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Yes, this is the actual guitar you’re looking at – not a generic stock photo! We take the time to individually photograph each and every guitar we sell so that you know exactly what you’re getting. From the grain of the wood to the unique finish and subtle character marks, what you see in the photo is the very guitar that will be shipped to your door. No surprises, no guesswork – just full transparency and confidence in your purchase.

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