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The 2026 Max Spohn 00 C 12 Fret in Boswell Lost Tunnel Redwood and Madagascar Rosewood is a breathtaking expression of modern luthiery, bringing together timeless timber, sculptural design, and an extraordinarily sensitive musical voice. Though previously owned, this guitar remains in excellent condition with no visible flaws.
Based in Rothenburg, Germany, Max Spohn is among the most exciting builders working within the contemporary fingerstyle tradition. Raised by an art teacher, Spohn developed an early fascination with drawing, design, woodworking, and the relationship between beauty and function. He learned the fundamentals of guitar making from Thomas Ochs before formally studying luthiery at the Westsächsische Hochschule in Markneukirchen, one of Germany’s historic centers of instrument making. His approach was further shaped by Raymond Kraut and the responsive guitar philosophy of Ervin Somogyi. Today, Spohn’s work is recognized for its exceptional responsiveness, wide dynamic range, refined ergonomics, and clean modern aesthetic. Each instrument is built as both a deeply expressive musical tool and a singular work of art.
At the heart of this remarkable 00 is a Master Grade Boswell Lost Tunnel Redwood top. This is not simply rare redwood, but wood with an extraordinary story. These massive first growth timbers were harvested more than 150 years ago and placed inside an isolated railroad tunnel in Northern California, where they remained hidden for generations. Recovering and processing the beams was difficult, dangerous, and intensely laborious, yielding only a limited number of guitar soundboards. With its immense age, tight grain, and remarkable physical character, Lost Tunnel Redwood represents a vanishingly scarce link to the ancient forests of the American West.
Tonally, this historic soundboard offers the warmth, immediacy, and lush harmonic bloom associated with exceptional old growth redwood, along with tremendous sensitivity beneath a light touch. Paired with Madagascar Rosewood back and sides, the voice is deep, dimensional, and beautifully complex, with a clear fundamental surrounded by rich overtones, lingering sustain, and a broad palette of color. The intimate 00 body brings focus and precision, while the 12 fret neck joint encourages warmth, openness, and an unusually connected response across the entire instrument. It is a guitar capable of revealing the smallest nuance while retaining enough depth and authority to sound far larger than its compact proportions suggest.
Spohn’s visual work is equally captivating. A figured Koa neck introduces warmth and movement against the darker Madagascar Rosewood body, while Ebony bindings, an Ebony heel cap, an Ebony end graft, and Rosewood and fiber purflings create a sophisticated architectural frame. The custom inlay rosette and partial backstrip are unmistakably Spohn, combining graceful geometry with the restraint of fine modern art. Even the soundhole is bound in Ebony, giving the top a precise and beautifully finished appearance.
The Master Grade Lost Tunnel Redwood headstock veneer provides another extraordinary use of this historic material and is accented by a custom inlay. A Madagascar Rosewood backstrap completes the headstock, while Scheller brushed brass tuning machines with Ebony buttons and brass dot side markers add an elegant warmth that complements the medium EVO Gold frets. Every material and appointment feels deliberately chosen, creating an instrument that is visually cohesive from every angle.
Player comfort is exceptional. The figured Koa neck is shaped to a comfortable C profile and joined to the body at the 12th fret, while the Florentine cutaway provides clean access to the upper register. A scalloped nut, 20 inch fingerboard radius, 1 3/4 inch nut width, 2 1/4 inch bridge spacing, and 24 3/4 inch scale length give the guitar an inviting, supple feel ideally suited to expressive fingerstyle playing. At only 4 pounds 1 ounce, it feels light, responsive, and alive in the hands.
Complete with its Hiscox Pro II case, this Max Spohn 00 C is a rare convergence of historic materials and forward looking craftsmanship. The Lost Tunnel Redwood alone makes it an exceptional instrument, but Spohn’s sensitive voicing, artistic vision, and uncompromising execution elevate it into something greater. Intimate yet expansive, elegant yet deeply expressive, this is a guitar built to inspire a lifetime of music.
Other specifications include:
- Master Grade Boswell Lost Tunnel Redwood Top
- Madagascar Rosewood Back & Sides
- Figured Koa Neck
- Ebony Fingerboard & Bridge
- Ebony Bindings
- Ebony Heel Cap
- Ebony End Graft
- Rosewood & Fiber Purflings
- Custom Inlay Rosette
- Custom Inlay Partial Backstrip
- Ebony Bound Soundhole
- Master Grade Boswell Lost Tunnel Redwood Headstock Veneer with Custom Inlay
- Madagascar Rosewood Headstock Backstrap
- Scalloped Nut
- C Profile Neck
- 12 Fret Neck Joint
- Florentine Cutaway
- Medium EVO Gold Frets
- Scheller Brushed Brass Tuning Machines with Ebony Buttons
- Brass Dot Side Markers
- Hiscox Pro II Case
- 20" Fingerboard Radius
- 1 3/4” Nut Width
- 2 1/4” Bridge Spacing
- 24 3/4” Scale Length
- 4 lb 1 oz
- #65
For more information about this Spohn 00-C 12 Fret, please contact us.
- Body Style
- 00
- Actual Weight
- 4.1
- Condition
- Excellent
- Manufacturer
- Max Spohn
- Model
- 00-C 12 Fret
- Body Style
- 12 Fret
- Body Style
- Cutaway
- Strings
- 6
- Pickup
- No
- Color
- Natural
Product Images
Product Videos
Downloads
Description
The 2026 Max Spohn 00 C 12 Fret in Boswell Lost Tunnel Redwood and Madagascar Rosewood is a breathtaking expression of modern luthiery, bringing together timeless timber, sculptural design, and an extraordinarily sensitive musical voice. Though previously owned, this guitar remains in excellent condition with no visible flaws.
Based in Rothenburg, Germany, Max Spohn is among the most exciting builders working within the contemporary fingerstyle tradition. Raised by an art teacher, Spohn developed an early fascination with drawing, design, woodworking, and the relationship between beauty and function. He learned the fundamentals of guitar making from Thomas Ochs before formally studying luthiery at the Westsächsische Hochschule in Markneukirchen, one of Germany’s historic centers of instrument making. His approach was further shaped by Raymond Kraut and the responsive guitar philosophy of Ervin Somogyi. Today, Spohn’s work is recognized for its exceptional responsiveness, wide dynamic range, refined ergonomics, and clean modern aesthetic. Each instrument is built as both a deeply expressive musical tool and a singular work of art.
At the heart of this remarkable 00 is a Master Grade Boswell Lost Tunnel Redwood top. This is not simply rare redwood, but wood with an extraordinary story. These massive first growth timbers were harvested more than 150 years ago and placed inside an isolated railroad tunnel in Northern California, where they remained hidden for generations. Recovering and processing the beams was difficult, dangerous, and intensely laborious, yielding only a limited number of guitar soundboards. With its immense age, tight grain, and remarkable physical character, Lost Tunnel Redwood represents a vanishingly scarce link to the ancient forests of the American West.
Tonally, this historic soundboard offers the warmth, immediacy, and lush harmonic bloom associated with exceptional old growth redwood, along with tremendous sensitivity beneath a light touch. Paired with Madagascar Rosewood back and sides, the voice is deep, dimensional, and beautifully complex, with a clear fundamental surrounded by rich overtones, lingering sustain, and a broad palette of color. The intimate 00 body brings focus and precision, while the 12 fret neck joint encourages warmth, openness, and an unusually connected response across the entire instrument. It is a guitar capable of revealing the smallest nuance while retaining enough depth and authority to sound far larger than its compact proportions suggest.
Spohn’s visual work is equally captivating. A figured Koa neck introduces warmth and movement against the darker Madagascar Rosewood body, while Ebony bindings, an Ebony heel cap, an Ebony end graft, and Rosewood and fiber purflings create a sophisticated architectural frame. The custom inlay rosette and partial backstrip are unmistakably Spohn, combining graceful geometry with the restraint of fine modern art. Even the soundhole is bound in Ebony, giving the top a precise and beautifully finished appearance.
The Master Grade Lost Tunnel Redwood headstock veneer provides another extraordinary use of this historic material and is accented by a custom inlay. A Madagascar Rosewood backstrap completes the headstock, while Scheller brushed brass tuning machines with Ebony buttons and brass dot side markers add an elegant warmth that complements the medium EVO Gold frets. Every material and appointment feels deliberately chosen, creating an instrument that is visually cohesive from every angle.
Player comfort is exceptional. The figured Koa neck is shaped to a comfortable C profile and joined to the body at the 12th fret, while the Florentine cutaway provides clean access to the upper register. A scalloped nut, 20 inch fingerboard radius, 1 3/4 inch nut width, 2 1/4 inch bridge spacing, and 24 3/4 inch scale length give the guitar an inviting, supple feel ideally suited to expressive fingerstyle playing. At only 4 pounds 1 ounce, it feels light, responsive, and alive in the hands.
Complete with its Hiscox Pro II case, this Max Spohn 00 C is a rare convergence of historic materials and forward looking craftsmanship. The Lost Tunnel Redwood alone makes it an exceptional instrument, but Spohn’s sensitive voicing, artistic vision, and uncompromising execution elevate it into something greater. Intimate yet expansive, elegant yet deeply expressive, this is a guitar built to inspire a lifetime of music.
Other specifications include:
- Master Grade Boswell Lost Tunnel Redwood Top
- Madagascar Rosewood Back & Sides
- Figured Koa Neck
- Ebony Fingerboard & Bridge
- Ebony Bindings
- Ebony Heel Cap
- Ebony End Graft
- Rosewood & Fiber Purflings
- Custom Inlay Rosette
- Custom Inlay Partial Backstrip
- Ebony Bound Soundhole
- Master Grade Boswell Lost Tunnel Redwood Headstock Veneer with Custom Inlay
- Madagascar Rosewood Headstock Backstrap
- Scalloped Nut
- C Profile Neck
- 12 Fret Neck Joint
- Florentine Cutaway
- Medium EVO Gold Frets
- Scheller Brushed Brass Tuning Machines with Ebony Buttons
- Brass Dot Side Markers
- Hiscox Pro II Case
- 20" Fingerboard Radius
- 1 3/4” Nut Width
- 2 1/4” Bridge Spacing
- 24 3/4” Scale Length
- 4 lb 1 oz
- #65
For more information about this Spohn 00-C 12 Fret, please contact us.
- Body Style
- 00
- Actual Weight
- 4.1
- Condition
- Excellent
- Manufacturer
- Max Spohn
- Model
- 00-C 12 Fret
- Body Style
- 12 Fret
- Body Style
- Cutaway
- Strings
- 6
- Pickup
- No
- Color
- Natural
Media Gallery
Downloads
Contact Us About this Item
True Product Images
Yes, this is the actual guitar you’re looking at – not a generic stock photo! We take the time to individually photograph each and every guitar we sell so that you know exactly what you’re getting. From the grain of the wood to the unique finish and subtle character marks, what you see in the photo is the very guitar that will be shipped to your door. No surprises, no guesswork – just full transparency and confidence in your purchase.
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