2017 - Bourgeois OM Style 42 Italian Spruce & Brazilian Rosewood
Serial: 7685 CONSIGNMENTA
Weight: 4 lbs 10 oz
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The 2025 Rebecca Urlacher Concert in German Spruce and Keyaki is an exquisite meeting of artistry and precision, a modern heirloom built with an unwavering devotion to beauty, balance, and the singing voice of wood. Though it has been gently played, it remains in like-new condition, reflecting the meticulous care it has received within the calm and controlled atmosphere of a studio. Every curve and contour bears the unmistakable hand of Rebecca Urlacher, one of the most gifted luthiers of her generation. Her instruments are born not only of experience and discipline but also of intuition, shaped by years of listening—to wood, to silence, and to the music that lies waiting in between.
At the heart of this instrument lies a German Spruce top, its grain luminous and silky, chosen for its purity of tone and its extraordinary ability to bloom under the lightest touch. Beneath it, the back and sides are formed from Keyaki, known as Temple Wood in its native Japan. For centuries, this revered species has been used in the construction of sacred temples and the great resonant bodies of Taiko drums, symbols of endurance and devotion. In Urlacher’s hands, Keyaki reveals a deep and articulate voice, its tonal character both majestic and clear, carrying a sense of stillness and power drawn from its ancient roots.
The Honduran Mahogany neck provides a steadfast foundation, marrying strength with warmth, while the Malaysian Blackwood fingerboard offers a striking contrast—dark, glassy, and smooth beneath the fingertips. The Brazilian Rosewood bridge anchors each string with richness and definition, transmitting vibration with grace and precision. Around the body, Bloodwood bindings and a gently sculpted comfort bevel add a quiet luxury, glowing with a natural red hue that complements the golden sheen of the Keyaki.
A Charles Rennie Mackintosh theme runs through the instrument, a thread of artistic homage woven into the rosette, headstock veneer, and a graceful inlay at the twelfth fret. These details are not mere decoration, but a celebration of the union between fine art and functional design that both Mackintosh and Urlacher hold dear. The Florentine cutaway curves with elegance, allowing full access to the upper register while maintaining the instrument’s sculptural harmony.
Gold Gotoh 510 tuning machines, adorned with Bloodwood buttons, turn with silken precision. The playability is effortless, shaped by a 16-inch fingerboard radius, a 25-inch scale length, a 1.78-inch nut width, and 2.29 inches of bridge spacing—all carefully balanced for comfort and control. Both the body and neck are dressed in a flawless gloss finish that enhances the natural depth of each tonewood and invites the eye to linger.
Weighing only 4 pounds 7 ounces, this Concert model is remarkably resonant and alive in the hands. It comes housed in a custom Calton flight case, a fitting guardian for an instrument of such rare refinement.
This Rebecca Urlacher Concert is not only a guitar but a vessel of inspiration, a meditation in sound and form. It speaks with the voice of centuries and the touch of one artist’s vision, drawing together the sacred stillness of temple wood and the soaring clarity of a modern concert instrument. In every note, there is a sense of reverence—a quiet, enduring conversation between past and present, between maker and musician.
Other specifications include:
For more information about this Rebecca Urlacher Guitar, please contact us.
The 2025 Rebecca Urlacher Concert in German Spruce and Keyaki is an exquisite meeting of artistry and precision, a modern heirloom built with an unwavering devotion to beauty, balance, and the singing voice of wood. Though it has been gently played, it remains in like-new condition, reflecting the meticulous care it has received within the calm and controlled atmosphere of a studio. Every curve and contour bears the unmistakable hand of Rebecca Urlacher, one of the most gifted luthiers of her generation. Her instruments are born not only of experience and discipline but also of intuition, shaped by years of listening—to wood, to silence, and to the music that lies waiting in between.
At the heart of this instrument lies a German Spruce top, its grain luminous and silky, chosen for its purity of tone and its extraordinary ability to bloom under the lightest touch. Beneath it, the back and sides are formed from Keyaki, known as Temple Wood in its native Japan. For centuries, this revered species has been used in the construction of sacred temples and the great resonant bodies of Taiko drums, symbols of endurance and devotion. In Urlacher’s hands, Keyaki reveals a deep and articulate voice, its tonal character both majestic and clear, carrying a sense of stillness and power drawn from its ancient roots.
The Honduran Mahogany neck provides a steadfast foundation, marrying strength with warmth, while the Malaysian Blackwood fingerboard offers a striking contrast—dark, glassy, and smooth beneath the fingertips. The Brazilian Rosewood bridge anchors each string with richness and definition, transmitting vibration with grace and precision. Around the body, Bloodwood bindings and a gently sculpted comfort bevel add a quiet luxury, glowing with a natural red hue that complements the golden sheen of the Keyaki.
A Charles Rennie Mackintosh theme runs through the instrument, a thread of artistic homage woven into the rosette, headstock veneer, and a graceful inlay at the twelfth fret. These details are not mere decoration, but a celebration of the union between fine art and functional design that both Mackintosh and Urlacher hold dear. The Florentine cutaway curves with elegance, allowing full access to the upper register while maintaining the instrument’s sculptural harmony.
Gold Gotoh 510 tuning machines, adorned with Bloodwood buttons, turn with silken precision. The playability is effortless, shaped by a 16-inch fingerboard radius, a 25-inch scale length, a 1.78-inch nut width, and 2.29 inches of bridge spacing—all carefully balanced for comfort and control. Both the body and neck are dressed in a flawless gloss finish that enhances the natural depth of each tonewood and invites the eye to linger.
Weighing only 4 pounds 7 ounces, this Concert model is remarkably resonant and alive in the hands. It comes housed in a custom Calton flight case, a fitting guardian for an instrument of such rare refinement.
This Rebecca Urlacher Concert is not only a guitar but a vessel of inspiration, a meditation in sound and form. It speaks with the voice of centuries and the touch of one artist’s vision, drawing together the sacred stillness of temple wood and the soaring clarity of a modern concert instrument. In every note, there is a sense of reverence—a quiet, enduring conversation between past and present, between maker and musician.
Other specifications include:
For more information about this Rebecca Urlacher Guitar, please contact us.
Yes, this is the actual guitar you’re looking at – not a generic stock photo! We take the time to individually photograph each and every guitar we sell so that you know exactly what you’re getting. From the grain of the wood to the unique finish and subtle character marks, what you see in the photo is the very guitar that will be shipped to your door. No surprises, no guesswork – just full transparency and confidence in your purchase.
Serial: 7685 CONSIGNMENTA
Weight: 4 lbs 10 oz
Serial: 7659 CONSIGNMENTA
Weight: 4 lbs 5 oz
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