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Stephen Kinnaird

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Kinnaird Acoustic Guitars — East Texas Roots, World-Class Craft

Stephen Kinnaird visited a luthier's workshop near Atlanta in the early 1970s with his brother John and came away transformed. Until that moment he had assumed guitars came out of factories. Seeing a single craftsman working alone and producing world-class instruments changed everything. He went home, taught himself everything he could find in the handful of books on lutherie that existed at the time, combined his degree in music composition and organ performance with the practical skills he had developed as a carpenter and cabinet maker, and built his first guitar. He has been building them in the deep piney woods of East Texas, between Nacogdoches and Lufkin, ever since.

More than four decades of building have produced a body of work with national and international customers, a collaborative family operation shared with his brother John who runs the eastern branch of Kinnaird Guitars from the Blue Ridge Mountains of North Carolina, and a reputation built entirely on word of mouth from players who pick up a Kinnaird guitar and find they cannot put it down. John Sebastian of the Lovin' Spoonful stopped at Steve's table at the Woodstock Guitar Show in 2018 and spent a long time with one of the instruments. The guitar, Steve noted simply, speaks for itself.

Traditional Heart, Adventurous Materials

Stephen describes his design aesthetic as fairly traditional, rooted in the great Martin guitars of the late 1800s through early 1900s, instruments he admires for what he calls their honesty and integrity. That tradition is the tonal target. The path to it is often anything but conventional.

Kinnaird is well known in the boutique acoustic world for his adventurous use of alternative tonewoods, sourced and combined with meticulous care in pairings that most builders would not attempt. African Blackwood, Lucky Strike Redwood, Texas Huisache, Cocobolo, Osage Orange, and other rare and regionally significant woods have all appeared in Kinnaird instruments alongside more conventional choices like Sitka spruce, Indian rosewood, and mahogany. The combination of a traditional tonal philosophy and an adventurous material palette produces guitars that sound deeply rooted and look entirely unique, instruments that are, as Stephen puts it, recognizable and standing apart.

Every Kinnaird guitar is signed and numbered by the builder upon completion. Appointments across the lineup include ebony fingerboards, multi-piece mahogany necks with decorative center stripes, paua abalone rosettes and top trim, Schertler and other premium tuners with ebony buttons, side soundports on select models, and custom Ameritage cases. Each specification begins with a direct conversation between Steve and the client, developing a concept that reflects the player's musical needs and aesthetic sensibilities in an instrument that could not have been built for anyone else.

The Models

Kinnaird builds across a full range of body styles including Dreadnought, SJ, OM, 000, 00, and Parlor configurations for both six and twelve-string instruments, as well as the Classical Crossover, a hybrid instrument that brings nylon-string sensibility and classical guitar aesthetics to a steel-string platform. The OM and OM Cutaway are the models most widely circulated among boutique dealers, consistently described as having an explosive tone with clarity, warmth, and projection that rewards every playing style. The Crossover model, built originally around a Lucky Strike Redwood top and African Blackwood back and sides, stands as one of the most tonally sophisticated and visually distinctive instruments in the Kinnaird catalog.

Browse our available Kinnaird inventory, and reach out to discuss a custom commission with Stephen directly.