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Schenk

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Schenk Acoustic Guitars — Engineering Meets Fingerstyle

Rod Schenk came to guitar making the way the best builders often do: through a combination of deep musical passion and technical training that most luthiers never receive. A professional civil engineer by education at Temple University, he began his lutherie career in 2000 by performing an engineering analysis on truss rod and bracing geometry for Kevin Ryan in California, work that gave him an intimate technical understanding of what makes a great acoustic guitar neck behave the way it does before he had ever built one himself. He built his first Schenk guitar in Silverdale, Washington in 2005 and has been building from his Kitsap Peninsula workshop ever since, producing instruments that Acoustic Guitar Magazine named among the top luthiers in North America and honored with a Player's Choice Guitar of the Year award in 2011.

The engineering background is not incidental. Rod developed the Super-Rod truss rod system, a proprietary double-action design that allows for micro-adjustability and produces a neck stiffness that single-rod systems simply cannot match, critical for 12-string models and any instrument expected to hold its setup through years of climate changes and heavy playing. Advanced finite element analysis computer modeling informed the bracing design, and the MicroBevel ergonomic armrest, a softened edge along the lower bout soundboard that Rod developed independently, provides playing comfort that players describe as transformative on long fingerstyle sessions.

The Models

FE Grand Fingerstyle — The flagship model and the instrument most closely associated with the Schenk name, in production for twenty years and still the most popular body style in the lineup. A tight waist and radically arched back maximize interior volume while maintaining excellent ergonomic comfort, producing a voice that players describe consistently as loud, balanced, and alive with complex overtones. Available with Sitka spruce, Adirondack spruce, Engelmann spruce, and Western Red Cedar tops over a wide range of back and side options including Brazilian rosewood, Indian rosewood, koa, ziricote, and quilted maple.

GK Concert Windwalker — A slightly smaller concert-sized companion to the FE, delivering the same volume and projection of the larger body in a more compact package that smaller players and those who prefer intimate fingerstyle response find immediately comfortable.

Ophirio — The 2011 Acoustic Guitar Magazine Player's Choice Guitar of the Year, a smaller OM-style body with Rod's innovative bracing design that produces sonic projection well beyond what its dimensions suggest. Warm, articulate, and immediately responsive, the Ophirio is the preferred Schenk model for players who want maximum comfort and playability in a smaller format.

RD Nashville Flattpicker — A traditional dreadnought design built for flatpicking and strumming, combining the classic format with every Schenk structural innovation for players who want power, presence, and the authority of a full-voiced dreadnought.

Standard appointments across the lineup include ebony fingerboard and bridge, Gotoh 510 tuners, bone nut and saddle, and the MicroBevel armrest. Signature models built for Franco Morone, Richard Gilewitz, and Vince Gill represent the most fully specified and visually elaborate expressions of the Schenk platform.

Browse our available Schenk inventory, and reach out to discuss a custom commission directly.